FAST TIMES AT RIDGEMONT HIGH, Cameron Crowe's sprawling teen comedy about a schoolyear in the life of a dozen San Fernando Valley teens, was one of the first mainstream films to flirt with Punk and New Wave. The film feels like it has a kinship to, say,
Repo Man, which actually had a bored Southern California suburban punk as its lead character.
Fast Times exists in our memory as a sort of New Wave snapshot of checkered Vans tennis shoes, teenager girls who dress like Pat Benatar, Day-Glo colors, and teenage boys trying out pickup lines on cardboard standees of Debbie Harry.
It's surprising, on revisiting the film, just how little actual New Wave content there is. Sure, Elvis Costello can be spotted throughout the movie, but only in posters on the wall of the film's ticket scalper. There is no Elvis Costello on the soundtrack. And while the film opens with The Go-Go's and closes with Oingo Boing, the rest of the soundtrack is fleshed out with some decidedly mainstream SoCal pop, including a surprising number of songs by The Eagles. In fact, the song most used in the film is a Jackson Browne pop rock staple, "Somebody's Baby," which plays whenever Jennifer Jason Leigh is about to have an unsatisfying sexual encounter. The closest thing the film offers to a Punk or New Waver is Robert Romanus's Mike Damone, the scalper, who will stare balefully at the poster for Elvis Costello's
Trust when life gets complicated for him, but Damone's musical tastes are catholic, as befits a scalper -- he's as likely to sing the praises of Earth, Wind and Fire as he is to tell you about the new Lou Reed album.
But if there isn't much actual by way of actual Punk or New Wave content to the film, there's something punk about its spirit. The film's main characters are not the popular kids in the school, but the kids on the margins. There is from Mark "Rat" Ratner, played by Brian Backer, a nebbishy and socially awkward kid who works in an ill-fitting tuxedo at the local mall, the perfect vantage point to jealously watch the more popular kids across the mall from him. He and Mike Damone have forged something of a friendship in which Damone pompously explains the secrets of the adult world to the Rat, but you get the sense that there is a lot more to the friendship. For one thing, neither kid has a SoCal accent -- the Rat sounds like he's from Brooklyn, and Damone has the sound and mannerisms of a New Jersey used car salesman (Romanus has explained that he played Damone as a recent Jersey transplant). The Rat isn't very good at making friends, while Damone -- well, people just don't like him. So the two East Coast boys have found each other, and there is something touching about their friendship: at the end of the film, after betraying the Rat's trust, Damone quiet pleads for them to be friends again, and it is not often you see someone with such a cultivated posture of cool begging a nerd to be his friend.
Their friendship parallels that of Stacy Hamilton and Linda Barrett, played by Jennifer Jason Leigh and Phoebe Cates. Stacy looks to Linda for advice about adulthood in the same way that The Rat looks to Damone, except, although both Stacy and Linda are younger than their male counterparts, they have a lot more actual experience. While Damone and The Rat discuss what music to play when on a date, Stacy and Linda discuss oral sex techniques. Nonetheless, their experiences haven't been very good. Stacy's few attempts at lovemaking have been brief, painful, and had messy consequences, while the film clearly suggests that Linda is just being used by an older man who works for the airlines and has no interest in her except as a quick lay when he gets to town. The director, Amy Heckerling, was very interested in the idea that the characters in
Fast Times are children who, because of jobs and cars and little adult supervision, are given the chance to play at being adults long before they are ready for it. When filming them, Heckerling often pulled the cushions off of chairs and gave them oversized props, so they would seem smaller than they are, and these tricks are subtle but effective -- on a disastrous date, the Rat and Stacy look positively minuscule in the adult world, where even the menus are unreasonably big.
It's interesting that just as this film was being made, the punk scene in Los Angeles was splitting into two distinct movement. There were the so-called Hollywood punks, who tended to be older and more pop oriented (this was the scene that spawned the Go-Go's), and this movement was being challenged by younger suburban punk rockers, who played a more hardcore style. These so-called beach-punks included bands like Middle Class, Black Flag, and the Circle Jerks, and they tended to sing about their own experiences as bored suburbanites -- in other words, the sort of experiences detailed in
Fast Times at Ridgemont High, which was based on Cameron Crowe's experiences spending a year undercover at a San Fernando Valley High School.
There is a scene in Ridgemont High when the school's class clown, the perpetually stoned surfer Jeff Spicoli (played by Sean Penn, and one suspects the role will haunt him for the rest of his life) explains that all he wants from life is weed and waves, and you can imagine him simply narrating a song like "TV Party" by Black Flag: "We've got nothing better to do than watch T.V. and have a couple of brews." Beach Punk would have been the right soundtrack to
Fast Times, but, honestly, the film was lucky to end up with the few New Wave sounds it does feature. The film made the studios quite nervous -- they had expected a raucous teen sex comedy and had wound up with something both rougher and more sincere, in which sex is rarely sexy and the characters are depressed and embarrassed messes. So the studios fought Amy Heckerling on every element of the film that seemed easy to fiddle with, including the soundtrack. Heckerling had wanted Elvis Costello on the soundtrack, and the studios forced the Eagles on her. She ended up picking her battles, and so we get the Go-Go's at the start at Oingo Boingo at the end, and almost nothing else. It would be until 1984 that a film would have the soundtrack that
Fast Times should have had, when director Alex Cox filled
Repo Man with the sounds of southern California punk, including having the film's punk lead character shout the lyrics to "T.V. Party."